August 2026 intake applications now open

Bachelor of
Musical Theatre

CRICOS 119071H

Bachelor of
Musical Theatre

CRICOS 119071H

Apply Anytime - Upcoming Intakes

Trimester 1: January
Trimester 2: May
Trimester 3: September

Duration

2 Years full time
Also available in part-time mode

Program Fee

International: $35,000 AUD per year
Domestic: $26,400 AUD per year
(FEE-HELP available)

Delivery

On Campus,
Brisbane CBD

Dream of acting, singing, and dancing on stage?

APAC’s Bachelor of Musical Theatre is a dynamic, industry-focused programme designed to inspire and develop emerging artists. Guided by industry experts, students develop essential artistic skills and gain insights into the entertainment industry. The Bachelor of Musical Theatre provides specialised training in acting, singing and dancing, while also developing students choreographic, composition, directing and production management skills. In this way students develop as versatile performers who are both stage ready, and have the skills needed to sustain diverse, long-term careers.

Apply Now Download Brochure

ENTRY REQUIREMENTS

Domestic Applicants

Have completed an Australian Senior Secondary Year 12 Certificate OR a pass grade or higher in the International Baccalaureate (IB) Diploma qualification OR successful completion of an AQF Level 4 (Certificate IV or above) qualification OR be 21 years or over at the time of applying for entry.
Have a pass in year 12 English (or equivalent).
Be able to demonstrate a level of aptitude and discernible talent through an audition process.

International

Have completed an Australian Senior Secondary Year 12 Certificate (or its overseas equivalent) OR a pass grade or higher in the International Baccalaureate (IB) Diploma qualification OR successful completion of an AQF Level 4 (Certificate IV or above) qualification.
IELTS (Academic) score of 6.0 with no band score below 5.5 (or equivalent)
Be able to demonstrate a level of aptitude and discernible talent through an audition process.
Be 18 years or older at the time your studies commence.
Satisfy APAC’s Genuine Student (GS) requirement.

OUTCOMES & CAREER OPTIONS

Technical Roles 

Music theatre performer
Concert soloist
Choreographer
Director
Arts administrator
Community theatre director
Casting consultant/agent
Stage manager
Teacher (Voice, Dance or Acting)
Scriptwriter or lyricist
Film/TV actor
Entertainment entrepreneur
Producer
Event manager

CURRICULUM

Year 1

Aural Studies and Musicianship
Practical Script Analysis
Integrated Performance Techniques 1
Contemporary Art Exploration: Forms, Influences, Engagement
Musical Theatre Dance 1
Voice Production
Musical Theatre Ensemble
Integrated Performance Techniques 2
Self-Portrayal Skills
Lead, Direct, Present
Musical Theatre Analysis and Arrangement
Musical Theatre Dance 2

Year 2

Audition for Screen and Stage
Choreographing Musical Theatre
Musical Theatre Composition
Career Planning
Musical Theatre Project 1
The Business of Musical Theatre
History of Storytelling
Genre and Adaptation: Influence in Entertainment
Multi-platform Productions w
Musical Theatre Project 2: Showcase

FEES

Higher Education Fees apply for our courses. For information on course fee breakdowns and non-tuition fees, please see the links below.

FEE-HELP

If you are an Australian citizen looking to study a Bachelor degree, you may be eligible to receive a FEE-HELP loan from the Australian government’s Study Assist scheme. To find out more, visit their Study Assist page.

Learn More

1. Which songs or monologue should I choose?

Choose songs and monologues that genuinely interest you and allow you to tell a clear, engaging story.

In an audition setting, it is always best to select material that sits comfortably within your natural range, so you can focus fully on storytelling and performance rather than vocal strain or technical difficulty.

Ideally, prepare two contrasting songs that demonstrate different styles or character types - for example, up-tempo and ballad, or contemporary and Golden Age. This contrast helps us see your versatility as a performer.

You are welcome to choose material from our suggested musical theatre audition song and monologue list.

2. I haven't had any formal training in singing, acting or dancing - should I still audition?

Yes - absolutely.

While a career in musical theatre requires skills in singing, acting, and dance, we recognise that applicants come from a wide range of training backgrounds and experience levels.

We strongly encourage applications from performers without formal training. We are looking for potential, natural ability, and above all, the attitude, work ethic, and openness to thrive in our programme. Training can be developed - commitment and curiosity are what we look for at entry level Shape

3. Which trimester can I start my training?

APAC is unique in offering three intakes per year. Once accepted, you can begin your studies in either January, May, or September.

This flexible intake structure allows successful applicants to commence their training at multiple points throughout the year.

4. What does a typical day look like?

At APAC, we operate as a conservatoire-style training environment.

Students engage in a wide range of practical classes including individual singing lessons, dance (tap, jazz, and ballet), acting classes, acting through song masterclasses, and voice training.

Alongside performance training, students also study the business of musical theatre, developing essential industry knowledge and vocational skills to support a sustainable creative career.

Our BA in Musical Theatre is hands-on, practical, and designed to prepare students for the demands and realities of the professional musical theatre industry.

COURSE OVERVIEW

Dream of acting, singing, and dancing on stage?

APAC’s Bachelor of Musical Theatre is a dynamic, industry-focused programme designed to inspire and develop emerging artists. Guided by industry experts, students develop essential artistic skills and gain insights into the entertainment industry. The Bachelor of Musical Theatre provides specialised training in acting, singing and dancing, while also developing students choreographic, composition, directing and production management skills. In this way students develop as versatile performers who are both stage ready, and have the skills needed to sustain diverse, long-term careers.

Apply Now Download Brochure

ENTRY REQUIREMENTS

Domestic Applicants

Have completed an Australian Senior Secondary Year 12 Certificate OR a pass grade or higher in the International Baccalaureate (IB) Diploma qualification OR successful completion of an AQF Level 4 (Certificate IV or above) qualification OR be 21 years or over at the time of applying for entry.
Have a pass in year 12 English (or equivalent).
Be able to demonstrate a level of aptitude and discernible talent through an audition process.

International

Have completed an Australian Senior Secondary Year 12 Certificate (or its overseas equivalent) OR a pass grade or higher in the International Baccalaureate (IB) Diploma qualification OR successful completion of an AQF Level 4 (Certificate IV or above) qualification.
IELTS (Academic) score of 6.0 with no band score below 5.5 (or equivalent)
Be able to demonstrate a level of aptitude and discernible talent through an audition process.
Be 18 years or older at the time your studies commence.
Satisfy APAC’s Genuine Student (GS) requirement.

OUTCOMES & CAREER OPTIONS

Musical theatre performer
Professional Vocalist/ Actor/ Dancer
Choreographer
Director
Arts administrator
Casting consultant/agent
Teacher (Voice, Dance or Acting)
Film/TV actor
Entertainment entrepreneur
Producer
Event manager

CURRICULUM

Year 1

Aural Studies and Musicianship
Practical Script Analysis
Integrated Performance Techniques 1
Contemporary Art Exploration: Forms, Influences, Engagement
Musical Theatre Dance 1
Voice Production
Musical Theatre Ensemble
Integrated Performance Techniques 2
Self-Portrayal Skills
Lead, Direct, Present
Musical Theatre Analysis and Arrangement
Musical Theatre Dance 2

Year 2

Audition for Screen and Stage
Choreographing Musical Theatre
Musical Theatre Composition
Career Planning
Musical Theatre Project 1
The Business of Musical Theatre
History of Storytelling
Genre and Adaptation: Influence in Entertainment
Multi-platform Productions
Musical Theatre Project 2: Showcase

FEES

To apply for our courses, the Higher Education fee structure is implied. For more information oncourse fee breakdowns and non-tuition fees, please see the links below.

FEE-HELP

If you are an Australian citizen looking to pursue a bachelor’s degree, you may be eligible to receive a FEE-HELP loan from the Australian government’s Study Assist scheme. To learn more about it, visit the Study Assist page.

Learn More

FAQs

1. Which songs or monologue should I choose?

Choose songs and monologues that genuinely interest you and allow you to tell a clear, engaging story.

In an audition setting, it is always best to select material that sits comfortably within your natural range, so you can focus fully on storytelling and performance rather than vocal strain or technical difficulty.

Ideally, prepare two contrasting songs that demonstrate different styles or character types - for example, up-tempo and ballad, or a contemporary song and a song from The Golden Age. This contrast helps us see your versatility as a performer.

2. I haven't had any formal training in singing, acting or dancing - should I still audition?

Yes - absolutely.

While a career in musical theatre requires skills in singing, acting, and dance, we recognise that applicants come from a wide range of training backgrounds and experience levels.

We strongly encourage applications from performers without formal training. We are looking for potential, natural ability, and above all, the attitude, work ethic, and openness to thrive in our programme. Training can be developed - commitment and curiosity are what we look for at entry level.

3. Which trimester can I start my training?

APAC is unique in offering three intakes per year. Once accepted, you can begin your studies in either January, May, or September.

This flexible intake structure allows successful applicants to commence their training at multiple points throughout the year Shape 4. What does a typical day look like?

At APAC, we operate as a conservatoire-style training environment.

Students engage in a wide range of practical classes including individual singing lessons, dance (tap, jazz, and ballet), acting classes, acting through song masterclasses, and voice training.

Alongside performance training, students also study the business of musical theatre, developing essential industry knowledge and vocational skills to support a sustainable creative career.

Our BA in Musical Theatre is hands-on, practical, and designed to prepare students for the demands and realities of the professional musical theatre industry.

How do I Apply ?

DOMESTIC APPLICANTS

Submit the online application with academic and identity documents. If you are assessed as academically eligible, you will receive a Letter of Offer conditional on satisfying the audition requirements.
Once you have satisfied the audition requirements and any other conditions of your offer, you will be issued with an Unconditional Letter of Offer for your acceptance.

Audition Requirements

Applicants must demonstrate their performance capabilities in a musical theatre context.

Applicants must submit the following video recordings via WeTransfer to admissions@apac.edu.au:

A dance routine within 1-2 minutes to demonstrate your ability to perform in either of the styles (ballet, jazz, tap, hip-hop, contemporary, lyrical, modern, Latin or musical theatre).
Two Musical Theatre songs within 2-3 minutes demonstrating contrast in style, mood, or vocal technique. It should also include movement and characterisation.
A monologue within 2 minutes (from the APAC list) without a script.
A personal statement within 1-2 minutes where applicants share a little about themselves, including name, location, job or hobbies or your school.
1. Discuss the inspiration behind pursuing Musical Theatre - the value and impact of your art form on audiences, industries and/or communities.
2. Discuss your favourite Musical Theatre performer or favourite Musical (artistic influences)
3. Briefly outline your Musical Theatre training journey, experiences and goals.

Points to be noted:

Applicants are advised to choose age, experience, and culturally appropriate content.
Recording of videos must be completed in one continuous take. Each piece must include a brief introduction of relevant information (title, where it is from, composer/choreographer).
The assessment of videos will be conducted by an assessment panel comprising at least two qualified assessors.
Panel members will make informed and consistent judgments when assessing auditions using clear criteria.

INTERNATIONAL APPLICANTS

Apply to APAC’s Bachelor of Musical Theatre through an official APAC International Education Agent. Our Agents will guide you through the application process and may assist you with your student visa application if your admission application is successful.
APAC assesses Genuine Student (GS) requirements as part of the Australian Government’s Simplified Student Visa Framework (SSVF).
If you meet the academic entry requirements, you will receive a Letter of Offer conditional on satisfying APAC’s audition and Genuine Student (GS) requirements.
After a successful audition and satisfaction with all conditions of offer, you will receive an unconditional Letter of Offer.
Accept your Letter of Offer and pay the required fees.
APAC will issue you with an electronic Confirmation of Enrolment (eCoE) so that you can apply for a student visa.

Audition Requirements

Applicants must demonstrate their performance capabilities in a musical theatre context.

Applicants must submit the following video recordings via WeTransfer to admissions@apac.edu.au:

A dance routine within 1-2 minutes to demonstrate your ability to perform in either of the styles (ballet, jazz, tap, hip-hop, contemporary, lyrical, modern, Latin or musical theatre).
Two Musical Theatre songs within 2-3 minutes demonstrating contrast in style, mood, or vocal technique. It should also include movement and characterisation.
A monologue within 2 minutes (from the APAC list) without a script.
A personal statement within 1-2 minutes where applicants share a little about themselves, including name, location, job or hobbies or your school.
1. Discuss the inspiration behind pursuing Musical Theatre - the value and impact of your art form on audiences, industries and/or communities.
2. Discuss your favourite Musical Theatre performer or favourite Musical (artistic influences)
3. Briefly outline your Musical Theatre training journey, experiences and goals.

Points to be noted:

Applicants are advised to choose age, experience, and culturally appropriate content.
Recording of videos must be completed in one continuous take. Each piece must include a brief introduction of relevant information (title, where it is from, composer/choreographer).
The assessment of videos will be conducted by an assessment panel comprising at least two qualified assessors.
Panel members will make informed and consistent judgments when assessing auditions using clear criteria.

Our Faculty

View all

Director of Higher Education

Avril Huddy

Avril is an award-winning lecturer and teaching artist. She was an academic leader of the dance specialisation within the Bachelor of Fine Arts at the Queensland University of Technology (QUT) for 14 years, and has previously worked with APAC as an expert critical friend on new degree development.
Avril has a Master of Arts (Research), from QUT and is currently completing her PhD. Her Masters thesis is titled “A Contemporary Model for Dance Artists in Residence in Secondary Schools”. Avril also holds Pilates instructor qualifications and Feldenkrais Method practitioner qualifications.

Head of Discipline – Acting

Sean Dennehy

“Give yourselves the permission to be excellent” A passionate acting teacher Sean teaches from the film set to the classroom, from the stage to the studio straight to the students of APAC. An independent actor, director and producer he has travelled his way round the world and through the industry. His credits include:
Appearing in TV Rake, Home and Away, All Saints films Don’t Tell, Sanctum 3D, his latest film JIVA is showing at Cannes Film Festival in 2020. Theatre As You Like It, Mercy Thieves, Rigoletto, and Hamlet.
QLD Executive Producer of the Short+Sweet Theatre + Cabaret Festival, Sean provides a professional pathway into the industry. Director and producer for OperaWorks LA, Taiwan International Arts Festival, Regional Theatres such as the Brolga and independently in Australia and U.S.A.
Course coordinator – for the past 3 years he has been helping artists realise their passion by turning their talent into a career.

Head of Discipline - Musical Theatre

Shannon Evison

Shannon is passionate about developing confident, creative, and resilient performers equipped for sustainable careers within the industry. Shannon is an actor, vocalist, and teaching artist with over a decade of professional performance experience. She holds a Master’s Degree in Music Theatre (Distinction) from the Royal Central School of Speech and Drama in London.

She is the Director and Co-Founder of The Madeleines, a professional vocal trio that has performed extensively around the world. Her performance credits also include lead vocalist roles for Disney, UK touring productions, major cruise lines, and international theatre productions.

Her screen acting credits include playing Sara Newman on Shortland Street, and she is set to appear in the 2026 Netflix series East of Eden. Shannon has also written and produced several original cabarets, which have been presented at national theatre festivals and featured as headline productions on cruise lines.

Alongside her performing career, Shannon is a passionate vocal coach and director.

Lecturer – Screen Acting

Mirko Grillini

Born and raised in Italy, Mirko graduated in performing arts early 2000s. With a background as a Chef Presenter, he devotes his life to performance on both screen and stage as actor, accomplishing to date over 200 screen productions and hundreds of live performances. Roles include Narnia, The Leftovers, Home and Away, Wanted, Neighbours, Joe Exotic and a array of international & Domestic Feature Films. Mirko has won several awards as an actor and as a director/writer and run classes in QLD, NSW and VIC as mentorship for artists who wanted to deepen their understanding of truthful performance and business growth in the industry.
His goal is to allow each student to unleash the artist inside, make it boundaryless and curious and find the freedom to learn, reflect and create while maintaining a vision and be abreast of the constant evolution of the Film/Tv industry. Understanding the business allows the artist to be like water and filter through the gaps constricting creativity and successful outcomes.

Lecturer – Screen Production

Joe Nucifora

Joe’s extensive Film and TV career – as a photographer, cinematographer, editor, producer, and teacher – commenced in the late 70’s in special events, as well state-wide TV commercials, documentaries, corporate, marketing, entertainment and instructional videos. In the late 90’s Joe established his own successful professional photography business, specialising in portraiture, fashion, commercial and advertising – as well as video editing and film production.
Over the span of his career he has also worked alongside Brisbane based cinematographers producing work for a wide range of advertising agencies, as well as significant large-scale Queensland government projects.
Joe brings extensive technical and creative skills and experience to APAC, as well as formal qualifications in a GradCert in Tertiary & Adult Education, excellent communication skills and complete professionalism. All of direct benefit to the students he teaches and the professional colleagues with whom he works on a day-to-day basis.

Lecturer – Acting

Sherri Smith

Sherri has had an extensive movement background and has furthered her training in acting and fight combat disciplines. This has allowed her to work in many areas through the performance industry including stage, screen, and live interactive theatre productions. Her credits include solo-actor performances of the stage play adaptation of ‘Animal Farm’ performed at the Powerhouse, Sonia in Uncle Vanya (The Curators Theatre); Lady Capulet in Shakespeare’s ‘Romeo & Juliet’ in the Shakespeare Festival, and MJ in ‘Mania’ as part of the Brisbane Arts Festival. In addition to her stage roles, she her work has also included: TVC’s, voice-over work, and roles in International, National and Local film projects like Project Eden (Mad Anth’m Pictures), Practise Patience (Sparrowland Productions) and Phoenix Rising (Vertical Realm Productions). Whilst lecturing at APAC, she still continues to work professionally in the industry.

Our Faculty

View all

Director of Higher Education

Avril Huddy

Avril is an award-winning lecturer and teaching artist. She was an academic leader of the dance specialisation within the Bachelor of Fine Arts at the Queensland University of Technology (QUT) for 14 years, and has previously worked with APAC as an expert critical friend on new degree development.
Avril has a Master of Arts (Research), from QUT and is currently completing her PhD. Her Masters thesis is titled “A Contemporary Model for Dance Artists in Residence in Secondary Schools”. Avril also holds Pilates instructor qualifications and Feldenkrais Method practitioner qualifications.

Head of Discipline – Acting

Sean Dennehy

“Give yourselves the permission to be excellent” A passionate acting teacher Sean teaches from the film set to the classroom, from the stage to the studio straight to the students of APAC. An independent actor, director and producer he has travelled his way round the world and through the industry. His credits include:
Appearing in TV Rake, Home and Away, All Saints films Don’t Tell, Sanctum 3D, his latest film JIVA is showing at Cannes Film Festival in 2020. Theatre As You Like It, Mercy Thieves, Rigoletto, and Hamlet.
QLD Executive Producer of the Short+Sweet Theatre + Cabaret Festival, Sean provides a professional pathway into the industry. Director and producer for OperaWorks LA, Taiwan International Arts Festival, Regional Theatres such as the Brolga and independently in Australia and U.S.A.
Course coordinator – for the past 3 years he has been helping artists realise their passion by turning their talent into a career.

Head of Discipline- Musical Theatre

Shannon Evison

Shannon is passionate about developing confident, creative, and resilient performers equipped for sustainable careers within the industry. Shannon is an actor, vocalist, and teaching artist with over a decade of professional performance experience. She holds a Master’s Degree in Music Theatre (Distinction) from the Royal Central School of Speech and Drama in London.

She is the Director and Co-Founder of The Madeleines, a professional vocal trio that has performed extensively around the world. Alongside performing as part of the group, Shannon oversees its creative direction and production. Her performance credits also include lead vocalist roles for Disney, UK touring productions, major cruise lines, and international theatre productions.

Her screen acting credits include playing Sara Newman on Shortland Street, and she is set to appear in the 2026 Netflix series East of Eden. Shannon has also written and produced several original cabarets, which have been presented at national theatre festivals and featured as headline productions on cruise lines.

Alongside her performing career, Shannon is a passionate vocal coach and director.

Lecturer – Screen Acting

Mirko Grillini

Born and raised in Italy, Mirko graduated in performing arts early 2000s. With a background as a Chef Presenter, he devotes his life to performance on both screen and stage as actor, accomplishing to date over 200 screen productions and hundreds of live performances. Roles include Narnia, The Leftovers, Home and Away, Wanted, Neighbours, Joe Exotic and a array of international & Domestic Feature Films. Mirko has won several awards as an actor and as a director/writer and run classes in QLD, NSW and VIC as mentorship for artists who wanted to deepen their understanding of truthful performance and business growth in the industry.
His goal is to allow each student to unleash the artist inside, make it boundaryless and curious and find the freedom to learn, reflect and create while maintaining a vision and be abreast of the constant evolution of the Film/Tv industry. Understanding the business allows the artist to be like water and filter through the gaps constricting creativity and successful outcomes.

Lecturer – Screen Production

Joe Nucifora

Joe’s extensive Film and TV career – as a photographer, cinematographer, editor, producer, and teacher – commenced in the late 70’s in special events, as well state-wide TV commercials, documentaries, corporate, marketing, entertainment and instructional videos. In the late 90’s Joe established his own successful professional photography business, specialising in portraiture, fashion, commercial and advertising – as well as video editing and film production.
Over the span of his career he has also worked alongside Brisbane based cinematographers producing work for a wide range of advertising agencies, as well as significant large-scale Queensland government projects.
Joe brings extensive technical and creative skills and experience to APAC, as well as formal qualifications in a GradCert in Tertiary & Adult Education, excellent communication skills and complete professionalism. All of direct benefit to the students he teaches and the professional colleagues with whom he works on a day-to-day basis.

Lecturer – Acting

Sherri Smith

Sherri has had an extensive movement background and has furthered her training in acting and fight combat disciplines. This has allowed her to work in many areas through the performance industry including stage, screen, and live interactive theatre productions. Her credits include solo-actor performances of the stage play adaptation of ‘Animal Farm’ performed at the Powerhouse, Sonia in Uncle Vanya (The Curators Theatre); Lady Capulet in Shakespeare’s ‘Romeo & Juliet’ in the Shakespeare Festival, and MJ in ‘Mania’ as part of the Brisbane Arts Festival. In addition to her stage roles, she her work has also included: TVC’s, voice-over work, and roles in International, National and Local film projects like Project Eden (Mad Anth’m Pictures), Practise Patience (Sparrowland Productions) and Phoenix Rising (Vertical Realm Productions). Whilst lecturing at APAC, she still continues to work professionally in the industry.

The Department of Musical Theatre

"I'm through accepting limits 'cause someone says they're so. Some things I cannot change, but till I try, I'll never know." - Elphaba, Wicked